A mute Syrian boy, using just body movements, gives a harrowing description of life under the Islamic State group in Syria. The event, which was curated by Scandinavian duo Michael Elmgreen and Ingar Dragset and closed its doors on November 12, also contained more than just coded references to the current situation in Turkey.Last year, several assaults in the Tophane district on the European side of Istanbul, an area long inhabited by an uneasy mix of expats, Istanbul hipsters and conservative Turks, forced galleries to move to Kadikoy, a district on the Asian side.

“The other day, my artist friends told me ‘from now on, we will not show some of our exhibits in Turkey’“, lamented artist Ozgen. Asli Sumer, who runs a gallery in the waterside district of Karakoy, said, however, that instead of criticising the authorities directly, artists are interested in ways of overcoming these hardships.For the artist, it was out of the question to leave. The situation in Turkey for artists is “absurd”, he admitted. “We felt that Hair Straightener Comb Suppliers a new energy was emerging.

“An artist with whom I work is especially interested in plants and their capacity to grow back by being more resistant,” she said.Another example came from Turkish artist Burcak Bingol, who used ceramic CCTV cameras scattered across the city to recall the inquisitive eyes of the authorities in a country which has been living under a state of emergency for more than a year. But others have sought to develop new ways of addressing the situation.And a galaxy of white ceramic CCTV cameras keeps a Big Brother-like watch over a city.