I was quite happy with a Trotsky beard, which I obviously expropriated from the hard-done Russian revolutionary and a sort of Che Guevara fall of bushy hair, expropriated from Cuban revolutionaries or perhaps from my boyhood’s yoga teacher in Pune.The fact that she was, with distinctly African features, wearing jeans instead of African robes only meant that her ancestors had been slaves to white plantation owners in the West Indies. Had the Rastafarians culturally appropriated dreadlocks from intentionally negative Italian propaganda Another source suggested Ceramic Smoothing Hair Straightener Comb factory itself when a young lady, the step-granddaughter of the Reggae singer Bob Marley brought a film crew to my London home to interview me.

That they had resisted the cultural expropriation of the British Raj’s predilection for short-back-and-sides haircuts was clear, but apart from that “But they are for peace and love,” she said“When it suits them,” I said. The present flare-up of this particular misdemeanour occurred when a black American lady acغير مجاز مي باشدted a white man who had his hair matted in the hairstyle known as “dreadlocks” and challenged him for “expropriating” African culture. She was diligently trying to make historical connections.I would certainly, in the 1970s, when I mingled with dreadlocked West Indians, immigrants of the first or second generation to Britain, have considered the hairstyle as a unique cultural marker, as much as saris are for our own proud womanhood. But I subsequently read a historian’s account of the arrival of this fashion of dressing one’s hair in Jamaica.

She said she was on her way to India to discover the real roots of dreadlocks and the Rastafarian tradition. When the news of the resistance to Italian colonisation and the posters depicting the dreadlocked warriors reached Jamaica, African sympathisers adopted the hairstyles of the propaganda posters, thinking these were the symbols of African resistance. The Italians attempted to characterise the African resistance-fighters opposing their colonial intrusion as savages and hit upon the idea of issuing posters of their opponents as wild or primitive people in need of civilisation by Europeans. She was insistent and showed me photographs of sadhus bathing in the Ganga, with piles of hair which very much resembled Bob Marley’s hairstyle, only wilder and piled twice as high. So Rastafarianism must have had Indian roots, she said. Down with all cultural jealousy in an integrating world!. The interaction between African rhythms and Western classical traditions to produce jazz is not, according to any tablet of commandments, a sin.